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Laura Morgan


Lady Windermere's Fan at the Masquers

With Oscar Wilde’s writing style as lure, I expected to completely enjoy Lady Windermere’s Fan but my actual reaction was quite different.

In part, I had the incorrect assumption the play was a comedy, so my expectations were upset—though there are many funny aspects. More importantly, much dialogue was difficult—some nearly incomprehensible. Bay Area community theatre management (not limited to Masquers) would do well to reconsider having actors speak in accents which are not their own, as few community theatre actors perform accents well. I’ve discussed this at http://tinyurl.com/pf8vzr

The screenplay of Lady Windermere’s Fan, originally written in 1892, has been reset to the 1950s. Directed by Patricia Inabnet.

Petrified Forest at the Masquers

There’s one advantage to being nescient about theatre and film; I don’t know what to expect. However, considering the cast, I predicted The Petrified Forest, written by Robert E. Sherwood and directed by Marti Baer, would be a musical comedy.

Tartuffe at the Masquers

If you’ve never seen the Ranjit Bolt translation of Tartuffe you deserve the experience. The original written by Molière was first produced in 1664 at Versailles. In 2002 Ranjit Bolt updated his translation to a modern play with marvelous rhyming couplets. This production is directed by Paul Shepard.