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Married couples daydream about the oddest stuff together, but I bet the conversation between D.C. and Peter went something like this:
“More coffee? What if we did a play together?”
“Hmm, did you speak? Oh, we often work plays together. Yes please, I’ll have another cup.”
“Yeah, but what if we performed all the parts?”
“Hmm. Seems like we’d be pretty busy.”
“Yes, but think what we could do—and we could use dressers!”
“Hmm. We could, couldn’t we? You know what else we could do?”
“No. Yes. Tell me.”
The Mystery of Irma Vep was written by Charles Ludlum and first performed in 1986. Like the original production, there is a cast of only two: Peter Budinger and D.C. Scarpelli. This show is directed by Robert Love.
This is the stuff of which nightmares are made: bad memories and worse imaginings from childhood, pretending to be funny. The Marriage of Bette and Boo is directed by DC Scarpelli and Peter Budinger. Written by Christopher Durang, the show draws close parallels to his own troubled youth. For many, parts of the story are all too true—an upbringing immersed in Catholicism, eccentric relatives, and friends with crazy families.
Feeling at loose ends? Don’t know what to have for dinner? The Apple Tree might solve your itch—it’s three, seemingly unconnected plays in one. Continuity occurs because the same actors play throughout, time travels from long ago to the present, and the stories are about love and innocence. The publicity flyers for the show differ, stating that these plays are about getting what you want and discovering what you really wanted afterward. You’ll have to decide who's right.
Music and lyrics of The Apple Tree were written by Jerry Bock and Sheldon Harnick. The first play was based on the writings of Mark Twain, the second a short story by Frank R. Stockton and the third a story by Jules Feiffer. In the Masquers performances, Robert Love directs, with music direction by Pat King. Music is ably performed by Pat herself, Ted Bigornia, Jo Lusk, Jim Ware and Barbara Kohler. The show plays until May 1.
The first play is The Diary of Adam and Eve, a sweet comedy, especially for those with a Judeo-Christian background—particularly since it answers so many questions. (Photos by Jerry Telfer).
Little Mary Sunshine looks like a tribute to musical entertainment from the past, starting with a pretty damsel lighting the gas footlights which illuminate the stage. This was a time before television, perhaps even before radio, when men were men, ladies were girls, good and bad were easily distinguished, and virtue always triumphed—a time when the hero went off to save the world (or at least Colorado) leaving the heroine behind. Problems arose, trouble ensued, but it all came right in the end.
I’m not absolutely certain of author Rick Besoyan’s intent, but I can tell you the outcome when the wise old hands of Director Robert Love and his crew were done with it.